39 Following


Currently reading

Taiga?s True Views: The Language of Landscape Painting in Eighteenth-Century Japan by Melinda Takeuchi (1994-06-01)
Melinda Takeuchi
The History of England, Vol 2
David Hume
The History of Scepticism: From Savonarola to Bayle
Richard H. Popkin
Cicero: On Moral Ends (Cambridge Texts in the History of Philosophy)
Marcus Tullius Cicero, Raphael Woolf, Julia Annas
Das Goldene Vlies: Dramatisches Gedicht in Drei Abteilungen
Franz Grillparzer
Euripides IV: Rhesus / The Suppliant Women / Orestes / Iphigenia in Aulis
Charles R. Walker, Frank William Jones, William Arrowsmith, David Grene, Euripides, Richmond Lattimore
Notes from Underground & The Double
Fyodor Dostoyevsky, Jesse Coulson
The World of Thought in Ancient China
Benjamin I. Schwartz
The Last Generation of the Roman Republic
Erich S. Gruen
The Legend of Gold and Other Stories
William J. Tyler, Jun Ishikawa, Ishikawa Jun
Glis-Glis: Siebenschlafer, Bilch, Buchmaus - Albert Vigoleis Thelen, Paul König

After reading Thelen's wonderful Die Insel des zweiten Gesichts




I was eager to regale myself with some more of his writing. Easier said than done. Using the Florida university library loan system, I did get access to a copy of Glis-Glis, which has the subtitles Eine zoo-gnostische Parabel (A Zoo-Gnostic Parable) and Entstanden als Fingerübung eines Seh-Gestörten (Arisen as Finger Exercise of a Visually Disturbed Person). As is clear already in these titles, Thelen plans to continue his masterful word games in this brief text.


What Thelen offers the reader is a very digressive, ironic parable about a fairy tale which becomes The Book of Books (unmistakably modeled on the Bible), about its Maker (unmistakably modeled on the Christian God), and about the less than happy consequences for mankind, which, by a slippery series of word associations, is called glis-glis, glis esculentus , and a near infinite list of names ending with "mouse", for the essence of the "little animal" (mankind) is Nagen (gnawing). After that, no small number of other rodents come into play. And play it is; I had to laugh.


Stylistically, Thelen indulges in word play of every kind, including one not so often employed in Insel : an aural word play in which not the meaning but the sound of the words is the toy. My impression is that he uses this not only because it gives him pleasure, but also to further deflate above-mentioned objects which are ordinarily taken excruciatingly seriously. He also gives us sentences which constantly negate themselves, which twist back upon themselves and deny, negate, deflate everything said before, leaving little standing in each paragraph-long sentence. And then come a few relatively straight paragraphs, particularly when he is giving a zoologist's precise description of rodents... From a rodent which hibernates seven months of the year to legends of hibernating humans to insomnia and back to rodents. You get the picture - none of it is serious.This text is a fairly enjoyable jeu d'esprit which offers little to gnaw on.