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Taiga?s True Views: The Language of Landscape Painting in Eighteenth-Century Japan by Melinda Takeuchi (1994-06-01)
Melinda Takeuchi
The History of England, Vol 2
David Hume
The History of Scepticism: From Savonarola to Bayle
Richard H. Popkin
Cicero: On Moral Ends (Cambridge Texts in the History of Philosophy)
Marcus Tullius Cicero, Raphael Woolf, Julia Annas
Das Goldene Vlies: Dramatisches Gedicht in Drei Abteilungen
Franz Grillparzer
Euripides IV: Rhesus / The Suppliant Women / Orestes / Iphigenia in Aulis
Charles R. Walker, Frank William Jones, William Arrowsmith, David Grene, Euripides, Richmond Lattimore
Notes from Underground & The Double
Fyodor Dostoyevsky, Jesse Coulson
The World of Thought in Ancient China
Benjamin I. Schwartz
The Last Generation of the Roman Republic
Erich S. Gruen
The Legend of Gold and Other Stories
William J. Tyler, Jun Ishikawa, Ishikawa Jun
Hsin Hsin Ming - Sengtsan The Hsin-Hsin Ming is one of the earliest writings in the Ch'an (Zen) Buddhist tradition and is attributed to Seng Ts'an, the third Zen patriarch. It consists of a small number of verses circling around the same theme: drawing distinctions (and attachments require distinctions) destroys the very possibility of perceiving the Truth, the Way. By not making distinctions and generating the accompanying "dualities", one can recognize that the universe and the "ten thousand things" within it are one, that things are as they should and must be, as they always have been and always will be. One's mind will be quiet; one will be at peace... There are warnings in the Hsin-Hsin Ming that this state of mind is not attained by effort or ideas; one must simply stop the effort of making distinctions. (Here "simply" definitely does not mean "easily", because our minds are constantly making these distinctions without any apparent effort.) I find Ch'an (Zen) Buddhism to be fascinating and have practiced zazen - the Zen meditation technique - in the past.(*) It is a remarkable product of human minds, will and effort; and it has inspired countless works of art and literature and has influenced the form of most of the cultures of East and Southeast Asia. And I find the distance between Zen Buddhism and the original teachings attributed to Gautama Buddha in the Pali canon to be every bit as remarkable. Gautama Buddha taught the "Middle Way", the mindful and moral way between extremes, whereas Ch'an Buddhism adopted many aspects of Taoism, an older and most interesting tradition of thought and practice in China, and became, well, rather extreme... A newcomer to Zen Buddhism should not begin with the Hsin-Hsin Ming , but, for someone with the necessary background preparations, the Hsin-Hsin Ming is a particularly pure, distilled expression of the soul of Zen (as it seems to me).(*) Indeed, I know intimately the significance of the saying: "What is the meaning of the coming of Bodhidarma from the West? Much sitting and getting weary." By the way, Bodhidarma was the name of the Indian monk who was said to have brought Buddhism to China.